How did Dave first get into drum machines?
For whom was SP-1200 originally designed?
Why did you take this approach with the SP-1200 reissue?
Why does Dave choose to build products to last?
What are some challenges working with vintage digital technology vs vintage analog designs?
How do SP-1200's dynamic play buttons work?
Why do SP-1200 channel outputs feature different filters?
Why was SP-1200 discontinued by E-mu?
Where did you run into challenges and what changes have been made to SP-1200?